![]() There's moments that play out in shadow, figures framed by smoke before pulses of coloured light cut through the darkness or strobes blind the hillside, much of it matched to the rhythms. However, just as important as the eye-searing impact of those massive projections is the absence of them. Jonathan Zawada's surreal visuals remain a highlight, the mind-bending imagery matching the mutating beats. 11, 2013 1 viewer 14 Contributors Insane (Remix) Lyrics Refrain: Moon Holiday The only risk is that you'll go insane The only risk is that you'll go insane Verse: Killer Mike. It looks a little cheap compared to the Infinity Cube of the Skin touring days but it's much more about what's happening with the lighting and on-screen than on stage. The set-upĭressed in his motocross sports get-up, Flume's station is simpler than previous eras, working his gear from two modest pedestals framed by mobile white arches. Unless you want to experience it fresh for yourself, read on for all the takeaways from Flume's latest outing. And the feeling was mutual, with the crowd lapping up nearly everything he served. "It's just great to be back," he told the packed Red Hill Auditorium. Touring in support of his J Award nominated album Palaces, the super producer served up his future-facing productions alongside some vivid eye-candy and a bunch of special guests. With that kind of control over his songs and performers, Flume could easily evolve into a sought-after producer.We been holdin' on for this. Back on home turf for his first Australian shows since 2019, Flume kicked off with a career-spanning set at Perth's Red Hill Auditorium. I've got what you need"- shiver so that it sounds like she's slowly dissolving into tears. On "What You Need", Streten makes a claim- "Been waiting to love you/. Sinuous opener "Sintra" chops up vocals like James Blake's "CMYK", a foil for the calming, sweet "Star Eyes", which closes the album with a dream sequence made up of screwed bits of speech. Preceding track "Holdin' On" juxtaposes an old-soul male vocal sample and gospel echoes ("Mama, I love you!" "Yes I do!") with muffled keyboard stabs and serious swing for an effect that recalls Jamie xx's Gil Scott-Heron remixes. The deluxe edition of Flume’s debut album is essentially a second disk to the album. Now and then, Streten strikes an unusually potent streak: On "Left Alone", a chorus persists throughout as if dogging guest Chet Faker's slurred pleas for solitude. Sometimes, neither the vocals nor backing can save the show: "On Top" features uninspired rapping from New York MC T.Shirt ("The night's forever young/ It's us that gets old") that falls flat over offbeat thuds and simulated siren wails. On "Insane", Streten distorts Australian singer Moon Holiday's lovely but affectless voice into a melodic foil to his throbbing builds and drops. ![]() ![]() Her featherlight refrain "Hush now, you're standing on a landmine" is the centerpiece around which snares skitter and arpeggios twinkle, her voice soaring as Streten drops a judicious beat into the bridge. On "Sleepless", singer/model Jezzabell Doran is Streten's Jessie Ware, though he gives George Maple more of the spotlight on "Bring You Down". Those features mask the fact that most of his songs are structured around samey, distracting background swoops that introduce climactic moments. It's a little long on instrumental filler ("Space Cadet", "Warm Thoughts", "Ezra"), highlighting the fact that at this point in his career, samples and singers are Streten's most effective asset. Streten explores his sonic palette with varying degrees of success on Flume. While his approach to warped sound owes much to Dilla, Flume's aesthetic can be compared to SBTRKT's integration of R&B's bedside intimacy with distant beats and silky voiced female singers. The DVD features Flumes Infinity Prism Tour: Live at the Hordern, a professionally shot 70-minute documentary of his second show on his national Australian tour in April. This attraction consists of a meandering log ride featuring beloved Disney characters, but at the end theres a steep drop that never fails to surprise all who ride it. He listens to J Dilla and Flying Lotus, started tinkering with production when he was barely a teenager, and still makes music in his parents' basement. Splash Mountain, the log flume rides at both Disney World and DisneyLand, have become a mecca for funny people who love to take the quirkiest amusement park pictures possible. He doesn't come off as a firestarter, though, or even all that different from other young electronic producers.
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